| Image |
Medium |
Method |
Edition |
Cert. |
Availability |
 |
 |
|
16x20
inches |
Canvas |
Giclee |
Signed
*695 LE |
Cert. |
Good
Availability
|
|
 |
|
* Hand-Embellished with Painted Accents. |
|
16x20
inches |
Canvas |
Giclee |
Signed
*140 AP |
Cert. |
Good
Availability
|
|
|
|
* Hand-Embellished with Painted Accents. |
|
16x20
inches |
Canvas |
Giclee |
Signed
*245 GP |
Cert. |
Good
Availability
|
|
|
|
* Gallery Proof Edition Features Exclusive Gold Foil Remarque. Hand-Embellished with Painted Accents. |
|
16x20
inches |
Canvas |
Giclee |
Signed
*125 PP |
Cert. |
Good
Availability
|
|
|
|
* Hand-Embellished with Painted Accents. |
|
24x30
inches |
Canvas |
Giclee |
Signed
*695 LE |
Cert. |
Good
Availability
|
|
|
|
* Hand-Embellished with Painted Accents. |
|
24x30
inches |
Canvas |
Giclee |
Signed
*140 AP |
Cert. |
Good
Availability
|
|
|
|
* Hand-Embellished with Painted Accents. |
|
24x30
inches |
Canvas |
Giclee |
Signed
*245 GP |
Cert. |
Good
Availability
|
|
|
|
* Gallery Proof Edition Features Exclusive Gold Foil Remarque. Hand-Embellished with Painted Accents. |
|
24x30
inches |
Canvas |
Giclee |
Signed
*250 EP |
Cert. |
Good
Availability
|
|
|
|
* Hand-Embellished with Painted Accents. |
|
24x30
inches |
Canvas |
Giclee |
Signed
*125 PP |
Cert. |
Good
Availability
|
|
|
|
* Hand-Embellished with Painted Accents. |
|
16x20
inches |
Canvas |
Giclee |
Signed
*55 RE |
Cert. |
Good
Availability
|
|
|
|
* The Renaissance Edition is created with a textured brushstroke process that recreates the artist's actual brushwork. It is then enhanced in oil by a Master Highlighter. The Renaissance Edition is approved and personally Hand Signed by Thomas Kinkade. |
|
24x30
inches |
Canvas |
Giclee |
Signed
*55 RE |
Cert. |
Good
Availability
|
|
|
|
* The Renaissance Edition is created with a textured brushstroke process that recreates the artist's actual brushwork. It is then enhanced in oil by a Master Highlighter. The Renaissance Edition is approved and personally Hand Signed by Thomas Kinkade. |
|
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|
Thomas Kinkade - A Winter's Cottage
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|
"As I look back over my development as an artist, I come to realize how important the trip Nanette and I and our two oldest girls made to the English Cotswolds early in our marriage really was to my self-discovery.
The rustic charm of the thatch-roofed cottages like A Winter's Cottage, the solidity of their massive stone walls, the way a golden, welcoming light poured through their ample windows - it all came to represent "the simple life" for me, long before I began to use that phrase to express my philosophy of living.
I varied my painting technique on that trip as well. I've come to recognize that A Winter's Cottage is one of my early examples of my Impressionist style. It may even be said that my Impressionist persona, Robert Girrard, made his first appearance in the English countryside.
I painted Nanette and Merritt posing in the snowy yard. They are emboldened by the nearby A Winter's Cottage to face the bracing challenge of the storm. The comfort and security of family life allow one to embrace the tests the world offers with courage and spirit." - Thomas Kinkade |
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